The best Santorini photo spots are the blue domes in Oia at seven in the morning, Skaros Rock from Imerovigli, the church at Firostefani during blue hour, and the Akrotiri lighthouse with a long lens at sunset. The hour matters more than the location.
Santorini Instagram Stories
Lets find out why people love Santorini and Santorini Tours!
Instagram is one of the most popular social networking sites. Its difference is that it only posts pictures with extremely short comments. And that can make it so popular with stars of all kinds.
A few days ago, India’s Hindusan Times, India’s largest English-language newspaper (India keeps English as one of the official languages in the state), published a list of the most Instagrammable places in the world, naming those with the most beautiful posts. In the first place we meet Santorini.
“With the paved streets, the blue domes of the churches, the whitewashed houses and the epic sunsets, Santorini, is one of the most impressive landscapes,” the author writes.
The places with the most Instagram stories
We present you the list with the places that collect the most Instagram stories:
- Santorini, Greece
- Rome, Italy
- Kyoto, Japan
- Northern Lights, Iceland
- Sigiriya Rock, Sri Lanka
Why Santorini is such a popular destination?
Santorini is famous for the well known sunset. It’s on the list of places you should visit at least once in the course of your life. This is the main reason why Santorini steals the show for many years.
It is one of the most famous islands of the Cyclades, with its immense beauty and exceptional architecture. Santorini attracts the attention of millions of people from all over the world. It is considered to be the first romantic destination in Greece.
It is a place that surpasses the traditional definition of beauty. The sure thing is that it stands out from the rest of the Cyclades with its wild side. The view of the caldera, the magnificent sunset and the unique beaches, are the main reasons why one should choose to visit this beautiful island.
Santorini is one of the active volcanoes in Greece and is probably the only volcano in the world that its crater is at the sea. It is a picturesque island with whitewashed towns built on the edge, with cobbled streets and impressive churches.
Why you should visit Santorini at least once in your live
You can take the boat and go round the caldera, go for a walk to the volcano crater, swim in the hot springs of Hot Springs and watch the sunset from Faro. Also, on August 15, the unique spectacle of the volcanic eruption is photographed. You can take a tour of Santorini!
There isn’t a place similar to it that you could visit, with the beautiful beaches and taste local recipes and their famous wine or discover the island’s amazing history and visit the museums to see the ancient civilization buried beneath the volcanic lava?
The surprises in Santorini seem like endless choices. Visit all the enchanting places of Santorini in comfort, enjoying your entire journey with various luxurious vans that are on the island.
Santorini Transfers can take you anywhere!
See more about Santorini island:
- Santorini photography tours
- Santorini summer tours
- Greek island hopping: How to combine it with Santorini Tours
- Santorini festival tours
Santorini Photo Spots: The Short Answer
The blue domes in Oia at seven in the morning, Skaros Rock from Imerovigli, the church of Agios Theodoris at Firostefani, and the Akrotiri lighthouse with a long lens at sunset. Those four cover the island, and every other list of santorini photo spots is a variation on them.
The single most useful thing about the santorini photo spots on this page is not a location. It is an hour. Every famous frame here is empty at seven in the morning and unusable by eleven, and the difference between a good photograph and a queue is entirely a matter of the alarm clock.
Oia: The Blue Domes
The most photographed of all the santorini photo spots, and it is one specific alley.
The classic shot looks down over three blue-domed churches stacked one behind the other with the caldera beyond, taken from the walkway on the eastern side of the main street as it drops towards Ammoudi. There is a second, wider version from the terrace above it. Both are on public paths, both are free, and in season both have a queue of people waiting their turn from about nine in the morning.
Time. First light to about half past eight. The domes face west-northwest but the church walls take the low morning sun beautifully, and crucially the street is empty. At sunset they are backlit and in shadow, which is the mistake almost everybody makes with the santorini photo spots in Oia.
Lens. Anything from 24mm to 70mm. The compression at the long end stacks the domes better than any other lens.
Watch for. People walking through the frame, and the fact that some of the best angles are from private terraces. Do not climb walls.
See Oia.
Oia: The Castle, the Windmills and Ammoudi
The castle ruin. The western tip of the village, looking down the whole caldera. Famous for sunset and consequently full of several thousand people from ninety minutes beforehand. Go at sunrise instead and have one of the best santorini photo spots entirely to yourself.
The windmills. Two on the ridge at the western end, best in the last hour of light with the caldera behind them, and best at dawn if you want them without silhouetted crowds.
The main street from the north. Looking back along the whitewashed lane with the bell towers, at first light.
Ammoudi. Three hundred steps below the village, a fishing harbour under a red cliff. One of the few santorini photo spots that works in late afternoon. Light on the rock, boats in the foreground, and the option of shooting back up at the village from the water.
The rock at Ammoudi. The small islet you can walk and swim to, which puts the whole red cliff behind you.
Between them these are the four santorini photo spots that most visitors have already seen a hundred times before they arrive, which is precisely why the hour matters more than the location.
Imerovigli and Skaros Rock
The best land viewpoint on the island and, to our eyes, the best of all the santorini photo spots.
Imerovigli sits at 300 metres, the highest point on the rim, with Skaros Rock jutting out into the caldera below it. The classic frame is the rock as a dark mass in the middle distance with the sea and the volcanic islets behind, taken from the path at the northern end of the village.
Time. Sunset, when the rock silhouettes and the sky goes orange behind it, or early morning when the light comes over your shoulder onto the white village.
The extra ten minutes. Walk down onto Skaros itself. Twenty minutes down on a loose path and rather longer back up, and from the little chapel on the far side you get one of the emptiest santorini photo spots there is. Take a torch if you are coming back after sunset.
Lens. Wide for the sweep, long for the rock and the volcano stacked together.
See Imerovigli.
Firostefani and Fira
Agios Theodoris, Firostefani. The small blue-domed church on the rim with the caldera dropping away and Fira strung along the cliff behind it. Probably the second of the santorini photo spots by volume and a fraction of the crowd at the Oia domes. Best in the late afternoon and at blue hour, when the village lights come on and the sky is still deep blue. See Firostefani.
The rim path. The whole walk from Fira to Firostefani to Imerovigli is a viewpoint. Shoot back along the cliff with the villages stacked.
Fira from the south. From the path above the cable car, looking north with the town cascading down the rim.
The cable car. The cabins themselves against the cliff, and the view down onto the old port.
Blue hour in Fira. The best of the blue-hour santorini photo spots. Twenty minutes after sunset, from the rim, when the whole town is lit and the caldera is still readable. Bring a tripod. See Fira.
The Akrotiri Lighthouse
The single best of the santorini photo spots and almost nobody bothers with it.
From the headland at the southern tip you are looking back along the entire caldera in profile: the lighthouse in the foreground, the cliff running away to the north, the volcanic islets in the middle, and the sun going down beside it all. There is a car park, no village, no queue and no ticket.
Time. The last hour of light, and stay for twenty minutes afterwards.
Lens. A long one. The compression is what makes this shot, and at 24mm it falls apart.
Getting there. Twenty-five minutes from Fira by car. There is no bus that helps.
See the lighthouse.
Which Santorini Photo Spots Are Worth Getting Up For?
Only four of the santorini photo spots, and they are all in the same place.
The Oia blue domes at first light. Empty, and the only hour they work.
The Oia main street at seven. Whitewash, shadows and nobody in it.
The castle ruin at sunrise. The whole caldera, and you will be alone.
Kamari or Perissa at dawn. The sun coming straight out of the sea over black sand, which is the opposite of everything else on this list.
Every other one of the santorini photo spots is better in the afternoon. If you only set one alarm on the whole trip, set it for Oia, and be on the main street by ten past seven.
Santorini Photo Spots Away From the Caldera
Half the santorini photo spots on this list are never photographed at all, and they are the half with no queue.
Pyrgos. The medieval village stacked up a hill with a Venetian castle ruin at the top. Shoot the lanes from inside, then the whole island from the kasteli, then the village itself from the road below at sunset. See Pyrgos.
Emporio. The largest and least visited village, with a genuine kasteli of houses built back to back as a defensive wall, and windmills on the ridge above. The lanes here are the most photogenic santorini photo spots on the island and there is nobody in them. See Emporio.
Megalochori. Vaulted passages, bell towers and a genuinely lived-in square. See Megalochori.
Vlychada. Pale wind-carved cliffs above black sand, at the last hour of light when they turn amber. One of the strangest landscapes in Greece and one of the least known santorini photo spots. See Vlychada.
Red Beach. From the viewpoint on the path rather than the sand, late morning, when the sun is on the rust-red cliff.
The vineyards. Basket-trained vines lying on black ash, the best of the agricultural santorini photo spots, in spring when they are green and in September before the harvest.
Ancient Thira. A ruined Hellenistic city on a ridge 360 metres above Kamari, with the whole southeast of the island below. Early morning. See Ancient Thira.
Profitis Ilias. The monastery on the summit, 550 metres up, one of the santorini photo spots that shows the entire island at once.
Panagia Episkopi. An eleventh-century Byzantine church at Mesa Gonia, and the oldest thing you can photograph here.
The Best Santorini Photo Spots From a Boat
These are the santorini photo spots no land position can give you, and the reason we push people onto the water.
The caldera cliff at golden hour. From the middle of the crater, the whole 300-metre face lights gold and then pink with the villages strung along the top. Every photographer standing in Oia is trying to take this shot and cannot, because they are standing in it.
Oia from Ammoudi. Looking up at the village on its red cliff.
Nea Kameni. Black lava against blue water, with the rim of the caldera behind.
Thirasia. Manolas on its cliff, and the coves below it.
White Beach and the Akrotiri cliffs. Pale ash walls straight out of the sea, reachable only by boat.
Practicalities. Spray, motion and no tripod. Fast shutter, high ISO if needed, and a cloth in your pocket for every one of the santorini photo spots at sea. Book a catamaran or a private charter that leaves mid-afternoon and be on deck for the last hour.
See the sunset tour.
What Time to Shoot Each One
Sunrise to 08:30. Oia blue domes, Oia main street, the castle ruin, Kamari beach.
08:30 to 10:00. Ancient Thira, the inland villages, the rim path.
10:00 to 12:00. Red Beach, Akrotiri, the vineyards.
12:00 to 16:00. Nothing. Every one of the santorini photo spots is flat, brutal and crowded in that window. Eat, sleep or drive.
16:00 to sunset. Vlychada, Pyrgos, Emporio, Imerovigli, the boat.
Sunset. The lighthouse, Imerovigli, Skaros, or the water.
Blue hour, twenty minutes after. Firostefani, Fira from the rim, Oia lit. This is where the best of the santorini photo spots usually are, and almost everybody has already left.
Light Through the Year
Winter, November to February. The best light of the year at every one of the santorini photo spots, and almost nobody knows it. Low sun all day, storm cloud crossing the caldera, rainbows over Thirasia, clear washed air after rain, and a green island. The trade is that half the caldera is shut and the wind can be fierce.
Spring, March to May. Green terraces, wild flowers, long light evenings and comfortable temperatures for walking between locations. May is close to ideal.
Summer, June to August. The harshest light, the flattest midday, the largest crowds and a haze that softens distant detail. Sunrise and the last hour are still excellent; the middle nine hours are not.
Autumn, September to October. Softer light than summer, warm colours, thinning crowds and a still sea for boat work. The best all-round compromise for the santorini photo spots.
The moon. A full moon rising over the eastern side while the caldera is still in blue hour is worth planning for.
The wind. The meltemi in July and August makes long exposures difficult on the rim and cancels boats.
Kit and Settings
Lenses. A wide zoom for the caldera sweeps and the village lanes, and something long for the lighthouse, the stacked domes and the compression shots. A 24-70 and a 70-200 covers every one of the santorini photo spots.
Tripod. Worth carrying for blue hour at Firostefani and Fira. Not needed anywhere else.
Filters. A polariser for the sea, a graduated filter for the sunsets if you shoot that way.
Phone. Entirely adequate for most of these frames. The domes, the lanes and the blue hour santorini photo spots all work on a modern phone.
Cleaning. Salt spray on the boat and black volcanic grit on the beaches. A cloth and a blower.
Batteries. Sunrise and sunset in one day means a long day.
Shoes. Polished marble lanes and loose volcanic paths. On these santorini photo spots that matters more than any lens.
Water and a hat. There is no shade at any of these santorini photo spots outside the villages.
Drones, Rules and Etiquette
Drones. Heavily restricted in Greece. Registration and an operator licence are required under the EU framework, flights over crowds and built-up areas are prohibited, and flying over archaeological sites such as Akrotiri and Ancient Thira is not permitted without a specific permit from the authorities. The rules change; check the current Greek CAA position before you plan any of the santorini photo spots around a drone.
Private property. A very large number of the terraces you will want to stand on belong to hotels. Ask, or stay on the public path. Several of the santorini photo spots are somebody’s terrace. Some properties actively charge or refuse.
People. Photographing strangers in a narrow lane is bad manners and increasingly unwelcome. The residents of Oia live in a photograph and are patient about it; do not push it.
Churches. Photograph the outside freely. Inside, ask, and do not photograph a service.
The queue. At the domes there is an informal one. Take your frame and move.
Donkeys. Do not stage photographs with them.
Good manners at the santorini photo spots costs nothing and is the difference between a village that tolerates photographers and one that stops doing so.
Santorini Photo Spots for Couples and Weddings
There is an entire local industry around the wedding santorini photo spots and it is worth knowing how it works.
The standard locations. Oia castle and the domes, Imerovigli with Skaros, a caldera terrace at Firostefani, Ammoudi at water level, the lighthouse, and a winery terrace in the south.
The hours. Sunrise for the villages and the last hour before sunset for the caldera. A shoot at midday in August will not work at any of the santorini photo spots and no photographer worth hiring will suggest one.
Permissions. Hotels charge for shoots on their terraces, and some churches and municipal viewpoints have their own rules. A local photographer handles this; a visiting one may not know.
Timing in the year. April to early June and September to October. July and August are hot, hazy and crowded.
The dress. Wind. Every photographer here will tell you the same thing about a long veil on the rim in the afternoon.
See weddings and honeymoons.
How to Avoid the Crowd
Set the alarm. Every one of the famous santorini photo spots is empty at seven and impossible at eleven. This is ninety per cent of it.
Check the cruise schedule. A day with five ships in the caldera is a different island from a day with none, and the schedule is public.
Shoot the shoulder months. April, May, October.
Go to the villages nobody photographs. Emporio, Pyrgos, Vothonas and Exo Gonia are the santorini photo spots that stay empty all day, every day.
Stay for blue hour. The crowd leaves the second the sun goes and the best twenty minutes follow.
Get on a boat. There is no crowd at the santorini photo spots on the water.
Walk further. Five minutes past the last café at any viewpoint and you are usually alone.
Do those seven and the santorini photo spots stop being a queue and start being a location list.
A Two-Day Photo Itinerary
Day one. Up at six for the best santorini photo spots of the trip. Oia main street and the domes at first light, the castle ruin, then Ammoudi as the sun gets up. Breakfast. Sleep or drive through the middle of the day. Late afternoon at Vlychada under the carved cliffs. Sunset at the Akrotiri lighthouse with a long lens. Blue hour back at Firostefani.
Day two. Ancient Thira at opening for the ridge and the view down over Kamari. The inland villages through the late morning: Pyrgos, then Emporio, then the vineyards. Afternoon on a boat that leaves around three, with the caldera cliff at golden hour from the water. Back on the rim for the last of the light.
If it is windy. Swap the boat for Imerovigli and Skaros, and use the morning for the sheltered inland santorini photo spots.
If you have a third day. Profitis Ilias for the whole island, Panagia Episkopi, Red Beach in late morning, and a second attempt at Oia at dawn, because the first one is never quite right.
Shooting the Villages: Lanes, Doors and Detail
The wide caldera frames are what people come for, and the small santorini photo spots are the pictures people end up liking most.
Whitewash and shadow. Lime-washed walls, hard Aegean sun and a narrow lane give you graphic black-and-white shapes at almost any hour that is not midday. Emporio and Pyrgos are the best santorini photo spots for this, because the lanes are vaulted and the shadows are deep.
Doors and windows. Blue, green, faded turquoise, and the occasional pink. Fira and Firostefani have the best painted joinery; Oia’s is all restored and uniform.
Bougainvillea. Against lime, in May and June, and again in September. The single most reliable colour at any of the santorini photo spots.
Bell towers. Every village has several. Megalochori’s are the best, and they frame the sky rather than the sea.
Stairs. Endless, and they make the composition. Shoot down a flight in Firostefani with the caldera at the bottom.
Cats. There is no photograph of a Greek island without one, and they know it.
Cave houses. The barrel-vaulted yposkafo interiors, if your hotel has one. Wide lens, natural light from the single opening.
The village detail is where the santorini photo spots stop being a checklist and start being a place, and it is the part nobody queues for.
Village by Village, in One Line Each
Oia. The domes, the castle, the windmills, Ammoudi. Dawn only.
Imerovigli. Skaros, and the best caldera sweep on the island. Sunset.
Firostefani. Agios Theodoris and blue hour over Fira.
Fira. The rim path, the cable car, the town lit after dark.
Finikia. Five minutes from Oia, untouched, and nobody photographs it. See Finikia.
Pyrgos. The kasteli, the castle ruin, and the whole island from the top.
Emporio. The best lanes on Santorini and the windmills above.
Megalochori. Vaulted passages and bell towers.
Exo Gonia. Vineyards and a church with a view down to the sea. See Exo Gonia.
Vothonas. Cave houses cut into a ravine, and almost unvisited. See Vothonas.
Kamari. Sunrise over black sand with Mesa Vouno behind.
Perissa and Perivolos. Long empty sand at first light.
Vlychada. The carved cliffs in the last hour.
Akrotiri. The excavation under its roof, and the lighthouse beyond.
Night and Astro
The island is small, the light pollution is concentrated in Fira and Oia, and the southern santorini photo spots are genuinely dark.
The Milky Way. Visible from roughly April to September, best around new moon. Shoot from the Akrotiri lighthouse road, from Vlychada, or from the track up to Profitis Ilias, all of which are santorini photo spots facing away from the towns.
The caldera at night. From the rim path, with the villages lit along the cliff and the volcanic islets black in the middle. Long exposure, tripod, and blue hour is easier than full dark because there is still shape in the sky.
Oia after eleven. The crowd has gone, the lanes are lit and the whitewash takes the warm light beautifully. One of the most underrated santorini photo spots, and it costs nothing but staying up.
Fira from Firostefani. The town strung along the cliff after dark, from ten minutes’ walk away.
Practicalities. A torch, proper shoes and a tripod. The paths are uneven and the drops are real, so do not wander off the marked rim path to reach santorini photo spots in the dark.
Where the Postcards Were Taken
Almost every image of Greece you have ever seen on a calendar comes from one of about six positions on this island, and it is worth knowing which.
The domes shot is that one alley in Oia. The sunset-with-windmills is the castle end of the same village. The white church against a blue sea is usually Agios Theodoris at Firostefani. The blue-and-white bell tower with the caldera is either Firostefani or Imerovigli. The whole-island-in-profile is the lighthouse. The cliff lit gold is from a boat.
That is the honest summary of every list of santorini photo spots ever published, including this one. What separates a good photograph from a repeat of the postcard is not the position; it is the hour, the weather and the willingness to stay twenty minutes after everybody else has gone back to dinner.
Editing, and What the Island Actually Looks Like
A word about colour, because the gap between the photographs and the place has become wide enough to disappoint people.
The walls are white with a faint warm cast, not the cool blue-white of a heavily graded image. The domes are a mid blue, several different mid blues in fact, and only a handful of them are the deep cobalt that appears online. The sea is a genuine deep blue because the water is 300 metres deep, and it needs no help. The cliff is red, black, grey and ochre in bands, and pushing the saturation turns it to mud.
Our advice, for what it is worth from people who look at this cliff every day: get the white balance right, lift the shadows on the cliff, leave the sky alone and resist the temptation to make the domes bluer than they are. The santorini photo spots do not need the help, and the over-processed version is now so common that a straight photograph stands out.
Getting Between the Locations
The island is fifty minutes end to end and the problem is never distance.
On foot. Fira, Firostefani and Imerovigli are one continuous walk along the rim, twenty minutes apart, and the path itself is a location. Oia is ten kilometres further and three to four hours on foot.
By car. Essential for the lighthouse, Vlychada, Ancient Thira, Profitis Ilias and the inland villages. Parking is free everywhere except Fira and Oia, where in season there is effectively none.
By bus. Every route goes through Fira, so a dawn shoot in Oia followed by a morning at Ancient Thira means two buses and a wait. Not practical for a shooting day.
The dawn problem. There is no bus early enough for first light in Oia. Either stay in the village, hire a car the night before, or book a driver.
The sunset problem. Everybody leaves the lighthouse and Imerovigli at the same moment, in the dark, on narrow roads. Allow for it.
What we do. Drop at one location, wait, collect, drive to the next while the light moves. On a two-day itinerary that is the difference between four locations and seven.
One Frame Nobody Has
If you want a photograph from this island that is not already on ten thousand phones, here are four suggestions, all of them free and none of them on a list.
A vine in February. Bare, coiled into its basket, lying on black ash under a low winter sun. It is the most distinctive agricultural image in Europe and almost nobody photographs it.
The cliff face on the Athinios road. Pull over on the hairpins and shoot the banded rock straight on. Every stripe is a separate eruption and the whole geological history of the island is legible in one frame.
An empty taverna at four in the afternoon. In Emporio or Vothonas, with the chairs stacked and the light coming through a vaulted doorway.
Fira in a February storm. Cloud on the caldera, rain crossing the crater, and a rainbow over Thirasia. It happens several times a winter and there is nobody there to see it.
None of those is on the standard circuit of santorini photo spots, and any one of them will get more attention than another blue dome at eight in the morning.
Mistakes People Make
Shooting the blue domes at sunset. They are backlit and in shadow, unlike every other one of the santorini photo spots at that hour. Go at seven in the morning.
Arriving at Oia castle twenty minutes before sunset. You will photograph the backs of heads.
Leaving when the sun goes. Blue hour is the best twenty minutes of the day.
Only carrying a wide lens. The lighthouse and the stacked domes both need compression.
Standing on hotel terraces. Ask first.
Planning around a drone. The rules are strict and archaeological sites are off limits.
Shooting the caldera at midday. Flat light, haze and no shadow at any of the santorini photo spots.
Skipping the inland villages. Emporio and Pyrgos are the best santorini photo spots for lanes and nobody is in them.
Not getting on a boat. The cliff from the water is the one frame you cannot take from land.
Avoid those nine and the santorini photo spots below will all deliver.
Santorini Photo Spots: Frequently Asked Questions
Where are the blue domes in Santorini? On the eastern side of Oia’s main street, where it drops towards Ammoudi. The classic frame stacks three domes with the caldera behind, taken from the public walkway.
What time should you photograph Oia? Between sunrise and about half past eight. The domes are backlit at sunset and the street is impassable from mid-morning.
Where is the best view of the caldera? Imerovigli, at 300 metres, with Skaros Rock in the middle distance. The Akrotiri lighthouse gives the whole island in profile.
Where do you photograph the sunset? Imerovigli, Firostefani, the lighthouse or a boat. Oia has the same sun and several thousand more people.
Are drones allowed? Only under the Greek and EU framework, with registration and a licence, and not over crowds or archaeological sites. Check the current rules before travelling.
Do you need a car? For the lighthouse, the inland villages, Vlychada and Ancient Thira, yes. The caldera villages are walkable from each other.
What is the best month? May and October for light and comfort, winter for the most dramatic skies, August for the worst of everything except the sea.
Can you photograph inside the churches? Ask, and never during a service.
Is a phone good enough? For most of these frames, yes. The lighthouse compression shot is the one that really wants a long lens.
Where can you shoot without a crowd? Emporio, Pyrgos, Vothonas, Exo Gonia, Vlychada, Profitis Ilias and any of the above at seven in the morning.
How many days do you need? Two properly planned days covers everything on this page; three lets you retry a dawn that did not work.
Is Ammoudi worth the steps? Yes, in the late afternoon. Take a taxi or a driver back up.
We Know Which Hour Each One Works
We are a local operator running private tours and transfers in our own vehicles, and photographers chasing santorini photo spots are a surprising share of what we do. Most of it is timing and driving: the lighthouse before the light goes, Emporio while it is empty, Ancient Thira at opening, and back to Firostefani for blue hour without hunting for a parking space in the dark.
Tell us what you shoot and we will build the day round the light rather than round a list of santorini photo spots. Prices are per vehicle rather than per person, hotel pickup anywhere on the island is included, we guide in twelve languages, and an 80 EUR deposit confirms a date.
See the personalised tour, the full list of tours, or contact us.
Every Village and Site on the Island
Any of these can be built into a private day. Each has its own page with what to see and how long to allow.
Caldera villages: Fira · Firostefani · Imerovigli · Oia · Finikia · Baxedes
Inland villages: Pyrgos · Megalochori · Emporio · Mesaria · Karterados · Vothonas · Vourvoulos · Exo Gonia · Mesa Gonia · Pigadia
Beaches: Perissa · Perivolos · Kamari · Vlychada · Monolithos · Red Beach · White Beach · Agios Georgios · Agia Paraskevi
Sites and landmarks: Akrotiri · Ancient Thira · Akrotiri Lighthouse · Nea Kameni · Palia Kameni · Thirasia · Athinios Port
All our tours: All Santorini tours · Full day tour · Sightseeing tour · Personalised tour · North part tour · Horse riding · South part tour · Sunset tour · Shore excursion · Caldera tour · Food experience · Wine tour · Historical tour · Small group tour
Planning and services: Famous sights tour · Private transfers · Transfers to Oia and Finikia · Transfers to other villages · Villages of Santorini · History of Santorini · Tours near you · Languages we guide in · Food and fun tours · Gay friendly tours · Our tour buses · Daily tours · Day tours · FAQ · Gallery · Tour photo gallery · About us · Contact · Blog
